After importing my model into Zbrush as a new tool, I split the sections of my model up into different polygroups so that I could isolate certain areas to add detail to without other parts of the model getting in the way. For example, I combined legs and arms on separate body groups [dynameshing them to make them smooth] so that I could add in the wrinkles without the neck and waist fluff getting in the way. I usually start at a lower poly count then work my way up adding details with higher poly counts later on so that I can easily get big details down first. You can see this especially on the trousers, below you can see the larger details like the knees and the big wrinkles, which I will later smooth and refine further down the line. This technique is also similar to how I made the neck fluff. The base mesh I made on maya had the very rough, low-poly shape of the fluff which I then built upon in ZBrush with the Move tool. At this stage, again, It looks quite rough and jagged, ho...
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